1176 vocal tracking settings If they start to sound lifeless, do more fader rides in the mix and aim for less GR next time. That way I'm not squashing the vocal too much but the performer is hearing themselves more evenly in the cans. If that's not the process you're looking for, then just open your ears and try stuff 馃し鈾傦笍 About the RVox, it sounds like it already has the 1176/LA2A trick inside it. Jan 9, 2020 路 In this free extract from Start to Finish: Greg Wells - Episode 3 - Setting Up The Vocal Chain from PureMix, Greg walks us through his preferred settings on his preferred compressor for vocals. Its timeless design and unique sound have made it a favorite among audio professionals and a must-have tool for any serious studio. 9K subscribers Subscribed Oct 24, 2023 路 Tracking vocals: LA2A or CL1B? LA2A or CL1B There have been 20 votes by 20 voters. 12:1 on a 1176 No need to comp during mixing after those setting. Nov 2, 2006 路 Fast for kick and snare, slow for vocals and bass. Kick drums and snares benefit from the fast attack settings, giving them a tight, punchy sound. Dec 13, 2023 路 Vocals Drums 1176 parallel compression settings Mastering Parallel compression in different DAWs: Parallel compression Ableton Parallel compression Logic Pro Parallel compression Pro Tools Related parallel compression articles: What is parallel compression Parallel compression plugins The 1176 is a FET compressor that’s been a key component in hit after hit for the last 50 years. How To ACTUALLY Use LA2A and 1176 On Vocals [FREE LA2A Inside] MixbusTv 161K subscribers Subscribed Add 1176 Add an 1176 to your vocal track. Thanks! All contents copyright © SOS Publications Group and/or its licensors, 1985-2024. Mar 17, 2020 路 Considering a new EQP-1A for my tracking rig; I mainly overdub vocals, acoustic guitars, DI bass, Moog Bass, and electric guitar. Dec 29, 2022 路 Hi All - Any preference for either in tracking steel string acoustic guitar? I'm figuring preference may land about 50/50 on this one. Read on to elevate your mixing skills and achieve pro-level results. In this video, I'll teach you how to use the 1176 Compressor on Vocals. This serial compression technique combined with proper clip gain automation, saturation, and subtle upwards compression is a must-know for any vocal chain . It’s an 1176 LN, which is one of the models that featured a black faceplate. Dec 19, 2019 路 However, it’s also quite versatile, and in this excerpt, you’ll see how Greg Wells sets it for tracking vocals. Jan 13, 2021 路 settings are whatever sounds good. I really like the way Steve Earle uses his 1176 on vocals, lets all that slurpy, lispy, gaspy, gutteral grunting come thru. I track with an 1176 bluey, high ratio but only a few decibels of reduction. 1: Note that a setting of 7 represents the fastest attack and release times. When I mix, attack around 12:30-1:00 give or take, release around 3:00 or 4:00 has been a pretty consistent go-to for me on vocals. What are the general advantages for dialing in super fast release times vs slower release times on say a 1176 clone when tracking vocals? My thoughts right now after doing a lot of a/b comparisons and fiddling around are that slower release times can lead to the next vocal part triggering the compression before fully releasing, therefore you catch more breath between phrases Novice question. Like when do you know to use the second order harmonics vs third order harmonics vs neither of them. Master the art of mixing vocals like a true professional! We would like to show you a description here but the site won’t allow us. Yes, the 1176|LA-2A combo is a great FX vocal chain. The 1176 is now (most of the times) replaced by the compressor inside the API Vision channelstrip, doing pretty much the same thing. I use this chain almost every time with very little compression, almost none. When tracking vocals, especially rap vocals, compression can bring clarity and you could say “excitement” to the performer’s headphone mix and bring out a better performance, so if you feel like tracking with compression sounds better to you while you perform it’s definitely worth doing. They can run away with you a bit if you're not careful. I've always used the black 1176 for vocals but in my internship it was brought to my attention that alot of people here use the blue 1176. Try to really zone in on where the compressor clamps down and releases and try to identify it. Just ride the release until you find the sweet spot. 4. Jun 6, 2023 路 For tracking I have my UA 1176 Compressor plug in set to an INSTANT GOOD VOCAL sound as suggested by UA 5 minute tips vid, and there is usually nothing to do after recording re compression! BUT, when I do need to use a compressor on mixing, what is the first control I need to adjust? when Oct 15, 2024 路 Ever wondered how to make a super compressed vocal stand out? Tune in to EP 164 of the Inside The Mix podcast, where I dive into everything from vocal compression settings to mastering the 1176 Jun 16, 2023 路 Learn how to use parallel compression vocals in your mixes. Dec 9, 2016 路 I really like the sound of the Tube-Tech CL1B for tracking vocals. Can do the heavy limiting on monitor, no need to commit to that. By the time you add buss compression over the entire mix then mastering you can over kill the dynamics of the song, leaving the vocals lifeless. As for exact settings, it really does change for every track. It highlights the 1176 compressor's speed, aggression, and ability to add punch to vocals. Is it on specific instruments? Like punchier instruments (kick, snare, acoustic guitar) get second order harmonics or what? I ask because I honestly Apr 18, 2025 路 This complete guide covers how to mix vocals from start to finish, showing my complete vocal chain to get your vocals sounding their best. Getting Some Grit for Bass and Vocals with Compression Distortion Another simple 1176 trick is turning the Attack and Release controls up all the way to their fastest settings. hi! SO: I heard the following very very often over the last years: Use a fast compressor (1176) first to catch transients, and then use a slow one to squash the vocal later in your voc chain. Setting input levels. I usually try out the "all buttons" mode too. The threshold is set in decibels (dB), with higher values requiring a louder input to trigger This became known as the Dr. Dec 16, 2018 路 Knowing how to effectively compress vocals is a step in the right direction if you're after in-your-face, competitive vocal mixes. In this blog post, I’ll explain the essentials of vocal compression, how it works, and some of the best settings for your compressor plugin. Settings for a gritty compression effect. Today I’ll talk about how to use the 1176 compressor on vocals, snare, bass, and more. Jul 15, 2021 路 ? Depending on what you're trying to achieve, there is a different vocal compressor for the job, which can take your mix to the next level! ? The files are named as follows: 1176 Vocal Test Source 1176 Vocal Test Ex1 1176 Vocal Test Ex2 1176 Vocal Test Ex3 1176 Vocal Test Ex4 The 1176 was tested on vocals using settings based on research from chapter 3. Oct 14, 2005 路 On a vocal track, put it through the 1176 since you can control the attack and release, this just to smooth it a little, then through the LA2A to warm it and add character. I like heavy comp 12:1 slow attack at 10:00, quick release at 4:00, pulling down 5-7db. In this video Fab explains all relevant settings and shows example on how to make the best of them in a musical way. For Bryce Drew’s lead vocals on the song “Lucky Number,” Wells uses a hardware 1176 compressor as one of the processors in his vocal chain. Dec 20, 2023 路 An 1176 compressor is a dynamic FET style compressor which works well on vocals, buses, you name it. BAE 1073 > 1176LN > LA2A is my standard vocal chain and I saw something with Greg Wells talking about the ultimate vocal chain being 1073 > 1176 > Opto > Pultec EQP-1A (adding some 100 and 12K) Jul 16, 2023 路 Unlock the secret to pristine vocals with our comprehensive guide on vocal compressor settings. You may not vote in this poll. Anybody like tracking with these and if so is there an order you prefer?Any other applications and or other compressors you like to use in series?Cheers,Geoff Hip Hop Vocals - Getting Started with the included UAD 610B, UAD 1176, and UAD LA-2A Dead Tibet Records 177 subscribers Subscribed A common technique, at least for vocals, is to do a FET compressor like a 1176 style which can do extremely fast attack times, to catch all the early transients, light threshold. In this guide, we’ll show you how to effectively use the 1176 compressor on vocals to achieve professional-quality results. 1176 TO LA-2A VOCAL CHAIN: A Deep Dive Into Tracking Rap vocals on CL-1B I'm usually at 4:1 ratio, manual, and between 12-2pm on both attack/release. Mit einem FET (Feldeffekttransistor)-Schaltkreis ausgestattet, ist er extrem schnell und kann sehr aggressiv sein. The rhythm tracks will duck when the vocals come in and go back to normal when the vocals exit. do NOT be afraid to just sit there, crank up the input and Advanced Detector functions e some advanced sidechain functions. This also helps to keep them even throughout the song. Here is how to use an 1176 compressor. Jun 30, 2014 路 I'm thinking to buy a 1176 compressor/limiter style to control my vocal dynamics while tracking. Somebody mentioned years ago about Johnny Cash "settings" from album produced by Rick Rubin and I found that pretty cool sounding. It's very simple to use as there's no attack and release settings. I usually link two 1176's together. If you think the 1176 is hard you should try an LA-2A. Er ist jedoch auch ziemlich vielseitig, und in diesem Auszug werden Sie sehen, wie Greg Wells ihn für das Tracking von Gesang einstellt. Sep 5, 2022 路 How do you use compression on rap vocals to get pro results? Are there any techniques or steps to follow? I give you all the secrets in this article! Aug 9, 2016 路 We have the 1176 taming the highest of peaks, and the LA-2A giving some general compression and overall smoothness to the signal the entire time. Adjust Insert the plugin. Could anyone just give me a short rundown on which comes first in the chain, the settings on the 1176 and how much GR I should shoot for on each unit. The contents of this article are subject to worldwide copyright So, this is not a technical question, more of a curiosity; how do you guys use your 1176s - plugins or hardware? Did you find any interesting quirks? Just generally curious about how other people use them For reference, it's pretty much my go-to vocal compressor, tho I usually use 2 step compression, and depending on the track parallel it with the clip gain automated signal, I try to be pretty Feb 7, 2019 路 Hey guys, I am contemplating to get the hardware Tube-Tech CL1B to compliment the (hardware) 1176LN. May 29, 2025 路 The 1176 is known for its warmth and character, and using it during tracking helped bring out the body and richness of the vocal, compensating for any potential harshness from the mic and creating a thick, solid foundation for the mix. What are the general advantages for dialing in super fast release times vs slower release times on say a 1176 clone when tracking vocals? My thoughts right now after doing a lot of a/b comparisons and fiddling around are that slower release times can lead to the next vocal part triggering the compression before fully releasing, therefore you catch more breath between phrases Nov 26, 2007 路 I have 3 1176's and love them on Vox, but they can be bit heavy handed and I would use them conservatively while tracking. What are your thoughts on the 1176? Mar 1, 2003 路 Anyone out there good enough to share some of their favorite 1176ln settings? I'm running vocals thru a Telefunken V76 pre with a Lawson L47mp. Today I tracked vocals with a Warm u47 into a UA 1176 with fast attack and release into a distressor in opto mode (10:1 slow attack, fast release) then through a Lang PEQ (pulled style) EQ. Dec 19, 2019 路 However, it’s also quite versatile, and in this excerpt, you’ll see how Greg Wells sets it for tracking vocals. But I'd like to hear what applications (tracking and mixing) you tend to use an 1176 on and if there's a go to setting you tend to use. This one covers controlling vocal level with an 1176 into an LA-2A and compressing keyboards with a CL 1B How to setup a 1176 Compressor for Vocals Miloco Studios 782 subscribers Subscribe Jan 14, 2020 路 Tracking, I usually start with the Dr. Whether you're tracking drums, smoothing out vocals, or adding sustain to guitar solos, the 1176 is a versatile and powerful tool that can help take your recordings to the next level. Use a moderate ratio like 4:1 or 8:1, adjust the attack to let some of the vocal's natural dynamics through, and set the release according to the song's tempo and vocal rhythm. - Demonstrations are provided on how to set input, output, attack, release, and ratio controls on the Mar 24, 2024 路 The Best Compressor for Vocals Before we get into compressor settings for vocals, make sure you’re using the right type of compressor on them. The compressor is usually a CL1B, 1176 or a TLA 100 85% of the time. Why Use These Compression Oct 17, 2016 路 The 1176 classifies itself as a Limiting Amplifier, and limiters generally have faster settings in order to limit and/or protect signal levels from getting out of hand. There's a reason choose it! Feb 16, 2019 路 Generally speaking, using a combination of both tonal and dynamic vocal compression is the key to a better sounding vocal! Change the Way You Mix with a Great Vocal Compressor Developing a signal chain with the right vocal compressor (s) is one of the best ways to get a rough vocal mix up quickly. How do you know you're going to track through an 1176? Are there any other compressors available? I always like to try a few combos before committing and, as a habit, I try not to set up my signal chain before I get a chance to listen to the source material. When the input signal surpasses this threshold, the compressor begins reducing the output level. However, i see many, if not most artists i follow record with a Tubetech Cl1b, which clearly is a rather slow compressor, being an opto compressor- How would you go with serial compression, if you track There’s the 1176/La2a for vocals combo. I am just wondering if anyone could recommend settings that have given The above illustration represents each possible sonic combination available in these 1176 plug-ins. All rights reserved. Jul 6, 2016 路 Solid vocals are the key to pro-level mixes. In our latest article and video excerpt from “Rich Keller - Mixing Hip Hop Vocals,” Rich, who’s been using a Distressor as his primary vocal compressor for years, shows his favorite settings May 7, 2024 路 Mixing vocals can be tricky, but if you want your vocals to stand out like the pros, you need to get your compression settings just right. Maybe 5db or so on peaks, but try to average around 3. Für Bryce Drews Hauptgesang in dem Song I work at a studio with a decent rack of hardware, so I am constantly tracking through it. This allows you to introduce the 1176's characteristic punch and aggression without overly squashing the main vocal's dynamics. I have a Pacifica Mic pre if that helps with the question. I think in the 1176 will generally be a bit aggressive and color my vocals coming in, the La-2a would be a bit gentler and… Dec 29, 2010 路 Mostly record & mix metal/rock. A traditional 1176 basically goes from stupid-fast to ludicrous-fast. Sometimes placing a Pultec in between can give some added presence to a vocal performance too. Add the 1176 compressor VST as an insert effect on your vocal track using the drag-and-drop or click-to-add functionality in your DAW. Today, I'm going to show you how to create synergy between these two compressors, and how, in the world of audio engineering, opposites CAN attract. 3. Jul 2, 2013 路 Usually I track vocals with one hardware compressor, an 1176 or a STA-level for example, and then I have another TDM plugin compressor on the vocal channel for monitoring only. Set the input for just a touch of GR on the high passages. If the vocals still sound too dynamic in the mix, compress them some more and go for more GR on the next recording. nIC Dec 19, 2013 路 The most popular vocal chain is 98% of the time a Neve 1073. Crank the GR til it tucks itself in there Sep 12, 2013 路 I'd like to give the LA2A and 1176 in series a try on a lead vocal for an upcoming mix. LA2A is a very popular compressor and used for vocal tracking. Watch as he demonstrates how to use the fast-acting 1176 to Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Then fabfilter C2 “Vocal” setting with a relatively fast attack (Waves RVox is basically the same transfer curve btw). I started using a Distressor in parallel near 30% on the wet/dry with either 3 or 4:1 ratio to achieve what feels like a nice sweet spot for vocal tracking. Just trying to shorten my learning curve, keeping in mind what works for you may not work for me. Can I get some opinions on this because I've always heard it sucks for vocals until now. For rhythm tracks, you can use a higher ratio, ranging from 5:1 to 7:1. FET – Good to make your vocals sound punchy and warm. Aim for the “8” for a more dynamic vocal which needs more control or simply to help keep your vocal more up front in the mix. The mic is the biggest variant in vocal chains so lets not focus on this one. Adding it to the chain is making me rework my sweet spot for tracking, what are some ways you all use this combo on vocals ? I’ve seen people use high ratio on 76 to make it work harder than the 2a , right now mine is doing opposite, but let’s bounce ideas , would be greatly appreciated! Novice question. Get my go-to vocal compression settings, learn the best compressors and nail the tricks for compressing vocals. First one is 8:1 with fastest attack & fastest release and the second one gives edge to vocals 12:1 with attack at 1 o'clock and release at 2 o'clock. Do you guys think a scenario with CL1B (for more invisible compression and maybe some '3d tube magic') before the 1176 (for that grit) would make sense? The preamp is BAE 73 and we'll do a shootout Jul 9, 2008 路 Hi, what do you think about the 1176 as tracking comp for rap vocals in combination with a neve-type of preamp? Or do you prefer tracking vocals without compression? I mix ITB so i'm just asking for the tracking capabilities of the 1176. Feb 7, 2006 路 Wow there are some big tracking comp setting for vox going on here. Adjust The Input Gain Adjust the input gain until you are getting 3-5dB of reduction on the loud peaks of the vocal only. That said, I tend to start by taking the same approach I use for tracking plus mixing, and the same for mastering - which is to do the gentle compression first (during tracking on a vocal) and the limiting second (during mix down, if needed). Puremix Mentor Greg Wells demonstrates how to track a vocal using an 1176 compressor. Usually when Jul 24, 2020 路 Just bus an output from the vocal track to the sidechain key in of the compressors. Track light (control overs), add more on the vocal track in the mix . Pepper settings, 4:1, very little GR. In this UAD Spotlight video, Drew Mazurek takes you through a classic vocal compression technique using the iconic 1176 and LA2A. Apr 28, 2024 路 It all takes time to learn how to get a better vocal recording. In this blog post, I won’t cover things such as its design, history, and unique features. Jun 8, 2023 路 Discover the art of parallel compression and learn how to use this technique to enhance impact and control in your vocals. Anybody like tracking with these and if so is there an order you prefer?Any other applications and or other compressors you like to use in series?Cheers,Geoff Mar 6, 2024 路 Here is a list of the best compressor types for vocals and when to use them: VCA – Good for an extremely dynamic vocal track due to its fast attack and release settings, although it’s not a good choice to average out the levels, but rather to control and tame intense peaks. * Feb 14, 2021 路 As long as the new recording settings are the same as the pre-recorded settings, then the settings you found for your compressors should be pretty close to what you got by experimenting with the pre-recorded vocal. Jun 15, 2009 路 One thing I loved to do on a soft female vocal track was the LA2A and a multi-band seemed like the right thing, and once tweaked right (by ear), it was very transparent. It can get “Essy” if it’s too fast. Apr 30, 2020 路 The Daking is a beautiful pre; I generally use Trident preamps (on which the Daking is based) for vocal tracking, with a UA or urei 1176 on the insert, post-eq (Usually reissue or rev d, or the rev a if it’s a production that can use a little extra mojo and won’t be hindered by the extra noise). Oct 10, 2002 路 I'm tracking male rock/pop vocals. The CL1B can do a decent amount of gain reduction without artifacts. Dec 25, 2024 路 Send a copy of your vocal signal to an auxiliary track, apply aggressive compression with the 1176 (experiment with different models!), and then subtly blend this processed signal with the original, uncompressed vocal. All good suggestions so far, but in my experience, tracking with compression will "free" your performance so you won't need to think about clipping when singing certain words. Jan 8, 2021 路 I use an 1176 often when tracking vocals and set it to 4:1, slow attack (there is nothing slow on an 1176), and fairly fast release. The result may be a brief, unnatu I have retired as an audio engineer after 10 years!. Currently I have and use an The setup of the 1176 will highly depend on your source material / singer proficiency / etc while the LA2A setup will vary less since it's supposedly been curated by the 1176. Make sure there is no gain reduction happening on the rest of the vocal. Aug 9, 2016 路 The first in a series of videos on compression. Is it on specific instruments? Like punchier instruments (kick, snare, acoustic guitar) get second order harmonics or what? I ask because I honestly Dec 16, 2018 路 Knowing how to effectively compress vocals is a step in the right direction if you're after in-your-face, competitive vocal mixes. Pepper Time. The LA-2A is smooth but the release is too slow for most vocals. Mar 24, 2024 路 On an 1176 the preset “4:1” or “8:1” settings each work well on vocals. Make a note of your preamp gain, gain reduction and output settings. That's the sound I'm after but I'm The venerable and very useful 1176 compressor from Universal Audio has few controls but they are powerful and sometimes confusing. Optimize your audio interface settings to reduce latency, ensuring smooth real-time adjustments during mixing. I had both units patched out to separate channels on a Focusrite Red 2 EQ (with the same EQ settings) and these were into 2 mono channels on my Euphonix CS2. While tracking vocals for instance, sometimes "p's" and "b's" can hit the mic with an air blast that shows up as a high amplitude, low frequency signal, causing the compressor to "kick in". It's very subtle but can be seasoned to taste depending on other settings. Mar 7, 2022 路 Help support the channel: / greenlightsound In this video I go over the setup of the classic 1176 and LA-2A compressor combination for vocals, and show you how to get similar results with your Jul 12, 2024 路 Hey Dan! What are your tracking settings for your outboard 1176 while tracking vocals? Also, how much gain reduction are you looking for on the way in? Jun 28, 2022 路 Next, listen closely to the reference track's vocal track and use it as a guide for how your vocals should sound. I don't have enough inputs and outputs for a hardware insert in Cubase/Logic so I try to utilize a lot of compression on the way in. I'm not shy about letting the 1176 do some serious work on the way in, it has a way of sounding great and flattering the vocalist, even when compressing quite a bit. PS. I love the sound of those two cranked a bit. My first impression when I fed a vocal through the Bluey was that it seems to have a slightly more relaxed approach than a typical 1176, which is known for its super-fast Dec 25, 2024 路 Send a copy of your vocal signal to an auxiliary track, apply aggressive compression with the 1176 (experiment with different models!), and then subtly blend this processed signal with the original, uncompressed vocal. The examples (vocal, bass guitar, snare, bass drum) discuss compression and limiting setups as well as ways to use the 1176 as a color box without - The video explains vocal compression, focusing on minimizing dynamics to achieve a balanced performance. When tracking vocals with compression do you have a particular style of compressor that you like to use? Do you want to catch peaks with an 1176 in the recording phase or would you rather use a LA-2A to keep things level. 馃憞WORK WITH ME馃憞more 35 votes, 75 comments. In closing, you can use two compressors to get Chris Cornell crazy compression on a vocal or you can use it to get subtle control and tone like a slick adult contemp vocal. Totally depends on the recording and how peaky/plosive it is. The best vocal compressor IMO is the 1176 and it's the sound you've heard on millions of records. I don't care what the knobs or meters look like to be honest. Configure your audio interface. CLA uses very subtle settings on SoundToys Devi-Loc Deluxe, which he inserts on a bunch of the individual vocal tracks. 5. Every once in a while it's just the ticket. Next, I'm going to show you how to use compression Mar 17, 2020 路 Considering a new EQP-1A for my tracking rig; I mainly overdub vocals, acoustic guitars, DI bass, Moog Bass, and electric guitar. It has fixed ratio and slow attack and therefore, it retains the transient and has smooth sound. Drums: When you want to add punch to your drums, the 1176 is the go-to. How to set the 1176 plug-in: Set a fast attack and fast release to grab peaks quickly. I ran pre la2a then 1176. In today’s video, I’ll give an overview of the 1176, how the controls work, and show you how I use it on some vocals and a drum bus. Then you will learn to judge appropriately how to set it when you record someone. I've read threads where people run the signal through the LA2A first and THEN the 1176. Dec 19, 2019 路 Von all den Vintage-Hardware-Kompressoren ist der UREI 1176 einer der am meisten geschätzten. In our vocals recording video, of all the vintage hardware compressors, the UREI 1176 is one of the Jan 4, 2025 路 Whether you’re mixing pop, hip-hop, R&B, or any other genre, the 1176 can transform your vocal tracks from raw recordings to polished performances. This guide covers techniques and settings for different DAWs to achieve pro results. It will save you lots of work further down the line. How To Use The 1176 Compressor on Vocals! Home Studio Academy 15. Apr 20, 2004 路 I've read threads where people will use these in conjunction to get a super squeezed vocal track. And because of that, it's not so great on drums. Set The Ratio Set the ratio to 12:1 and the attack and release to the fastest setting (7). I was thinking to buy a clone like the WA76 or a lindell 7x-500. Either 8:1 or 12:1 (usually). I only have 2 channels each of quality AD/DA. I can't seem to recall the exact settings, but something like; Attack: 10 o'clock Re Here’s a detailed guide for setting compression parameters specifically for vocals Compressor Settings for Vocals 1. The 1176 also sounds fucking great and smoothes out a lot of nasty frequencies. This doesn't make a whole lot of sense to me as the the LA2A's attack is so sloppy. probably taking 2-3db on both, maybe more when she got loud. Is there any reason why I might want an LA2A type compressor (think LA-610 or Manley Elop) over an 1176 type compressor? Thanks in advance for your thoughts and comments. You will notice it with brighter vocal mics. Aug 23, 2021 路 I received the Audioscape 76D during the week and used it tonight on a session on a vocal track alongside the Universal Audio 1176. This will help you with levels and automation, plus it will aid you greatly in nailing the right sound and behavior for your compressor. Pepper setting. Apr 29, 2016 路 If you have been messing with a recorded vocal TRACK and an 1176 for 10 hours and it does not fit, it may very well be that vocal TRACK and not the tools. I've tried different configurations and developed my own thoughts but interested to hear the consensus from those who also stack compressors for vocals. Mar 10, 2024 路 Set it so that you feel the vocals are nicely controlled. The fixed setting works really well, if in doubt, which is 1ms/50ms. Have you considered re-recording the track? How about re-recording the track with the 1176 going in? May 13, 2011 路 The 4:1 ratio on an 1176 starts compressing at a lower level and will therefore compress more of the time on the same signal at the same input level than the 8:1 ratio. eat deal over the years. Hi all, I am currently working with the following vocal chain: Neumann U87 into Warm Audio 1073 clone into Warm Audio 1176 clone into Warm Audio LA2A clone, into an Apollo Twin. for teh 1176, bc the attack and release are so fast, it's really material dependent on where you set them. Struggling to get clean, upfront vocals? Here are 10 powerful tips on how to use vocal compression and compressor settings for rock vocals, rap vocals, & more! Mar 20, 2011 路 1176 on rap vocals - Good starting points? I recently purchased a Purple MC77 and I'm looking for a good general starting point on rap vocals. My favorite gear for tracking vocals is the 1073 to the CL1B. I have an album project coming up and I really like the grit from 1176LN on the singer's voice. BAE 1073 > 1176LN > LA2A is my standard vocal chain and I saw something with Greg Wells talking about the ultimate vocal chain being 1073 > 1176 > Opto > Pultec EQP-1A (adding some 100 and 12K) We would like to show you a description here but the site won’t allow us. Oct 2, 2018 路 Next, he starts experimenting with settings in the CLA Vocals plug-in, which he uses primarily to dial in a quarter-note delay. So if you want to set your 1176-style compressor up fast, use these settings: Attack – set to 3 (about 10 o’clock) Release – set to 5 (about 2 o’clock) Ratio – set to 4 You get 10, 2 and 4, or Dr. What I track most vocals through an 1176 with a slowish (for the 1176) attack and fast-ish release, 4:1. I was thinking of going through the 1176 FIRST to tone down the peaks and then through the LA2A to even everything out. Threshold: The threshold is the level at which the compressor starts to take effect. I recently did an overview on the best compressor for vocals and explained why a FET compressor like the 1176 or an optical compressor work so well on vocals. I've been experimenting but would like to ask others for their exact setting for parallel compressing vocals with the plugin version of the 1176. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. The control for attack and release works counter Anyone out there have any distressor tricks or tips for tracking? Also am curious what people's thought process is on when to use the saturation. Once I get it close, I experiment with more extreme settings. I would suggest the 1176 or Distressor to tame your peaks - and you have the luxury of already owning the Apollo Twin, so you got everything covered in my How to Use Two Compressors Step 1: Control Peaks with the 1176 If you have a raw vocal track that jumps in volume at certain moments, making it difficult to keep balanced in your session, the 1176 is your first line of defense. Mar 4, 2025 路 Master essential compressor settings for vocals to enhance your sound quality. You might How To Use The 1176 Compressor The 1176 is a classic analog compressor unit that has been widely used in professional recording studios for many years. In this blog post, I’m going to share the only compression settings you’ll ever need to get professional-sounding vocals. Traditionally Tracking settings? I like fast attack and fast release, riding with the vocal, low ratio, skimming a couple dBs maximum. That's what the technique does. Thanks in advance! 1176 + LA-2A Vocal Chain | Best Settings for Modern Vocals Are You Using the Wrong Compressor? Compression Masterclass 1176 to LA-2A Vocal Chain: A Deep Dive Into Vocal Compression I've been developing my vocal chain, and love what stacking optical and FET compressors can do to a vocal. Gain reduction to taste. Plus, I’ll walk you through the process step-by-step, and explain why these settings work so well. 馃憞WORK WITH ME馃憞more Jan 8, 2021 路 I use an 1176 often when tracking vocals and set it to 4:1, slow attack (there is nothing slow on an 1176), and fairly fast release. Learn how to achieve professional-quality vocal tracks using 2 compressors on vocals. Understanding Vocal Compression Hip Hop Vocals - Getting Started with the included UAD 610B, UAD 1176, and UAD LA-2A Dead Tibet Records 177 subscribers Subscribed A common technique, at least for vocals, is to do a FET compressor like a 1176 style which can do extremely fast attack times, to catch all the early transients, light threshold. Only two knobs on that Dec 7, 2015 路 On lead vocals, I used to catch peaks with the 1176 plugin and let a LA-2A do the rest. The 1176 and LA-2A are the best compressors for vocals. I have messed around with the settings and continue to be a bit dissatisfied with how the vocals sound once I play back the recording on the DAW. I will also highlight some of my favorite and best vocal compression plugins and techniques to help you achieve that professional vocal sound. feukb ryva xig wtfpd ubjefxpn qqegao upbh iac pbfji ibxby goli khwoob phiaq qhlrtv tar